A series of prints produced for the international collaborative exhibition ‘Mythscapes in the Watery Realm’. Shown at Aberystywyth University School of Art and the Project Gallery at Brisbane College of Art.
My practice explores our complex and often contradictory relationship with technology. I find printmaking, particularly its alliance with both obsolescent and emerging technologies, the perfect vehicle to explore the role of technology in both Utopian and Dystopian views of past, present and future. I am especially interested in examining the role of cultural concepts such as obsolescence and the rhetoric of progress play in our increasingly fragile relationship with the environment.
Following the large scale flooding to the seafront in Aberystwyth and accompanying media coverage caused by storms in early 2014, this body of work explores how our perception of an event is inevitably warped by the lens through which we experience it.
Increasingly the plight of communities affected by flooding and environmental change is experienced in a digital space. The physical event often echoed by a second, digital, flood of information, as articles, images, opinions and hyperbole are distributed, shared and retweeted globally. Do these insights, popping up on newsfeeds between adverts and cat photos, make us more environmentally conscientious global citizens, or, do they desensitise us, forming just another part of the accumulated visual detritus of the internet
Combining nineteenth and twentieth century archival images of Aberystwyth with contemporary responses to the storms sourced from social media this work aims to highlight to tenuous link between image and meaning and how this can be warped through appropriation and decontextualisation.